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Despite of its abstract appearance, this piece shows recognizable elements. The counterpoint of these figures is in their faces that are reminiscent of traditional African masks. The end result is an unexpected dialogue between the sacred and the profane, a common thread in Geers’ work.
Kendell Geers, Masking Tradition DXXXI, 2017
Acrylic on canvas
137.2 x 92.2 cm
Unique piece
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